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Showing posts with label Helen Rickerby. Show all posts
Showing posts with label Helen Rickerby. Show all posts
Monday, October 27, 2014
Monday, September 22, 2014
'Poroporoaki to the Lord My God: weaving the Via Dolorosa' by Anahera Gildea
Ekphrasis in response to Walk (Series C) by Colin McCahon
I. Bro, I noticed the absence of korowai at your tangi
II. I have made you this kahu-kuri. A taonga
for the Nga Mokai peoples and their descendants.
I have just now taken it off the line and
folded it with the sun still fresh on its limbs.
III. The unsteady warps and welts of this cloak have
Monday, April 7, 2014
Symbols that make up the breaking girl by Helen Rickerby
First comes feet, on tippy tippy
toe � a stretching, a reaching
for approval, perfection, a cracking
a creaking, a split and a snap, but nothing
that a good length of tape and some newly brokenin shoes can�t fix, shoes with the insides torn
out like an inquisition, then beaten and slashedlittle dancers, little digits, they carry her away
The next, a cliche�, but an oldy and a goody,
Monday, March 3, 2014
From Bird Murder by Stefanie Lash
Tusk
Tusk was settled by rogue miners.
They went too far up-creek, there was no gold, they were lost.
They found instead the coloured stones.
The women are most industrious in tusk
and the children hop from house to house.
Perhaps because of the minerality of the River tusk
children�s hair will colour as they age.
Purple is the predominant hue; some boys turn green.
The huge prismatic
Tusk was settled by rogue miners.
They went too far up-creek, there was no gold, they were lost.
They found instead the coloured stones.
The women are most industrious in tusk
and the children hop from house to house.
Perhaps because of the minerality of the River tusk
children�s hair will colour as they age.
Purple is the predominant hue; some boys turn green.
The huge prismatic
Monday, November 11, 2013
I hear you singing in the next room by Helen Rickerby
I hear you singing in the next room
It is more than not being alone
We cook together and eat
from blue bowls
Sometimes I am the wise one
sometimes you
The night we met, we both
kissed the same boy
You write �I love you� in the condensation
on the window
I lead you into luxury and indolence
We walk to the zoo and promise the animals
Monday, November 4, 2013
No time like the '80s/ No future by Airini Beautrais
from Dear Neil Roberts
In 1989, my dad gets knocked off his motorbike.
He gets a court summons, to testify against the driver.
Because she is brown, and my dad has decided
the justice system is racist, he rips up the summons.
(A few weeks earlier, a housebreaker (brown)
who happened to be a father of six,
was shot dead by a neighbour (white)
who was let off).
Dad rips up his summons on the
In 1989, my dad gets knocked off his motorbike.
He gets a court summons, to testify against the driver.
Because she is brown, and my dad has decided
the justice system is racist, he rips up the summons.
(A few weeks earlier, a housebreaker (brown)
who happened to be a father of six,
was shot dead by a neighbour (white)
who was let off).
Dad rips up his summons on the
Monday, February 25, 2013
'Crayfish' by Fleur Adcock
Of course with all those legs they�re arthropods �
crayfish, lobsters and their armoured ilk.
At school one day a bunch of us nipped out
in our lunch-break and bought a prickly hulk
to have our way with, rip apart and crunch.
It was like eating a pterodactyl �
morally, I mean, in retrospect �
but the sea-drenched jelly when I snapped
a leg from the carapace, cracked it and sucked in
ecstasy� no,
crayfish, lobsters and their armoured ilk.
At school one day a bunch of us nipped out
in our lunch-break and bought a prickly hulk
to have our way with, rip apart and crunch.
It was like eating a pterodactyl �
morally, I mean, in retrospect �
but the sea-drenched jelly when I snapped
a leg from the carapace, cracked it and sucked in
ecstasy� no,
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