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Your Life Is a Poem

In the new episode of ON BEING, " Your Life Is a Poem ," poet Naomi Shihab Nye talks about growing up in Ferguson, Missouri and o...

Sunday, February 23, 2014

Tiferet Writing Contest


Enter the 2014 Tiferet Writing Contest and submit to possibly win $400 for best poem, story or essay. $1,200 will be awarded in prizes.

This year's judges are Alfred Corn for Poetry, Jacqueline Sheehan for Fiction, and Charles Euchner for Nonfiction.

Tiferet editors will select ten finalists to be sent to the judges. One winner and three honorable mentions will be selected by the judges in each category. Results will be announced this coming fall.

All submissions are considered for publication in the journal and your $15 contest entry fee brings you digital copies of a full year's subscription to Tiferet (a $24.95 value).

They are accepting submissions until June 1, 2014

Submit your entry here

Monday, February 17, 2014

Uncoupling by Jac Jenkins



Ice
clasps its thorny cloak with filigreed

brittle
lace against my breast

bone.
The pin sticks my skin when I inhale.

I
stay close to his mouth;

his
heat breathes an early thaw

as
Winter opens its teeth on my throat.



Spring
stitches my scabs to scars, my scars

to
silver. I am bare beneath bridal lace

and
veil. When I inhale, his hands

clasp
me like whalebone; I stay close

to
the

Saturday, February 8, 2014

Writing the Day



Writing the Day was the name I chose for a new daily practice I started for 2014. It wasn't a New Year Resolution, and it wasn't totally original.  I want to write a poem each day.

William Stafford is the poet who inspired this daily practice the for me. Stafford wrote every day of his life from 1950 to 1993. He left us 20,000 pages of daily writings that include early morning meditations, dream records, aphorisms, and other �visits to the unconscious.�

It�s not that I don�t already write every day. I teach and writing is part of the job. I do social media as a job and for myself. I work on my poetry. I have other blogs. But none of them is a daily practice or devoted to writing poems.

When Stafford was asked how he was able to produce a poem every morning and what he did when it didn�t meet his standards, he replied, �I lower my standards.�

I like that answer, but I know that phrase �lowering standards� has a real negative connotation. I think Stafford meant that he allows himself some bad poems and some non-poems, knowing that with daily writing there will be eventually be some good work.

I wanted to impose some form on myself each day. I love haiku, tanka and other short forms, but I decided to create my own form for this project.



I call the form ronka � a somewhat egotistical play on the tanka form.

And that will be our short prompt for this short month.

These poems are meant to be one observation on the day. It might come upon waking. It might come during an afternoon walk, or when you are alone in the night.The poems should come come from paying close attention to the outside world from earth to sky or from inside � inside a building or inside you.

People know haiku as three lines of 5-7-5 syllables. But that�s an English version, since Japanese doesn�t have syllables.

The tanka form consists of five units (often treated as separate lines when Romanized or translated) usually with the following pattern of 5-7-5-7-7.

For my invented ronka form, there are 5 lines, each having 7 words without concern for syllables. Like traditional tanka and haiku, my form has no rhyme. You want to show rather than tell. You want to use seasonal words - cherry blossoms, rather than �spring.�

It's hard for Western writers to stay out of their poems - lots of "I" - but ronka have fewer people walking about in the poem.

The poems are just 5 lines, but you can certainly write several on a single theme and chain them together renga style.

For examples, there are some on our main site and all my ronka poems so far are on the Writing the Day website. I look forward to you outdoing me at my own form.

Submission deadline: February 28, 2014




Monday, February 3, 2014

Bogong Moth by Joe Dolce


A Bogong moth

darts out of
darkness
to seize fire -
it�s burned away its tarsi,
yet
continues to swoop,
kiss, careen, sizzle,
fluttering and
candle-banging
like fawn-crazed Nijinski.



I look up from my book

accepting the
immortal,
fatal dance
of life and light,
like Icarus�s
father
resigned to watch
his flying boy
hurl against
brilliance.



When you were a baby

night
crying,
often the

Wednesday, January 29, 2014

Walt Whitman 2014


Walt is all around us lately.

Did you take note of the Apple television ad for the iPad Air? It quotes Whitman's �O Me! O Life!� to promote the idea of creating and uses Robin Williams from his English teacher role in Dead Poets Society.


�That the powerful play goes on,
and you may contribute a verse.�




Walt is also on the new poster designed by the Academy of American Poets for this year's  National Poetry Month.  You can request a copy online.

The poster uses the closing lines of �Song of Myself,�




�Failing to fetch me at first, keep encouraged;
Missing me one place, search another;
I stop somewhere, waiting for you.�

If you want to go deeply into Walt Whitman's "Song of Myself," you can enroll in a free course offered online by the University of Iowa. This course - known as a MOOC (Massive Open Online Course) - will be open to thousands of people at no cost (and for no credit).

Every Atom: Walt Whitman�s Song of Myself" will take a collective approach to a close reading of America�s democratic verse epic, first published without a title in the 1855 edition of Leaves of Grass and later titled "Song of Myself" in the 1881 edition.






    Monday, January 27, 2014

    Eastbourne by Helen Jacobs

    1
    It is to the island
    and the coastlands
    that the shifting light
    tethers on a fluid line
    weaving water and sand
    and rock.

    The point of going away
    is always to come back �
    thrice deny, and you
    come back

    to the shells of your sandheaps,
    allow that there could be
    an old spirit or two
    or simply an old love affair
    with the harbour playing you in.


    2

    Climbing to the houses
    you look down to where

    Friday, January 3, 2014

    Carriage House Poetry Prize in Observance of Arbor Day 2014


    The Carriage House Poetry Series and The Fanwood Shade Tree Commission announce The Carriage House Poetry Prize in Observance of Arbor Day 2014.

    A first prize of $250 and publication in the Autumn 2014 print issue of TIFERET: Literature, Art, and The Creative Spirit. Selected finalists will receive certificates.

    Guidelines
    • Entries should consist of no more than two poems�no more than 40 lines each.
    • Each poem must be single-spaced on a separate sheet of paper.
    • Submit 2 copies of each poem, one copy with the poet�s name, address, phone number,and email address in the upper right corner.
    • Poems must be previously unpublished and must contain reference to a tree or trees (not necessarily poems about trees). Any style or form. (Not re-writes or take-offs on Joyce Kilmer�s famous poem �Trees.� Judges will look for poems characterized by technical proficiency, striking imagery and strong sound quality.)
    • Entry is free.
    • Poems will not be returned, so please keep a copy for your files.
    • Deadline: In-hand by March 1, 2014. Winners will be notified via email by April 7, 2014.
    Send entries via snail mail to:

    Carriage House Poetry Prize

    c/o Adele Kenny & Tom Plante
    Fanwood Borough Hall
    75 North Martine Avenue
    Fanwood, NJ 07023


    Judges
    Tom Plante (Publisher/Editor Exit 13 Magazine)
    Linda Radice (Award Winning Poet & Fanwood Arts Council Member)

    Final Judges
    Donna Baier Stein � Founder/publisher of Tiferet; Pen/New England Discovery Award & NJ State Arts Council Fellowship recipient; awards from the Poetry Societies of Virginia and New England; founding poetry editor of Bellevue Literary Review; Breadloaf Writers Conference scholarship; Johns Hopkins University Writing Seminars fellowship; author of Sometimes You Sense the Difference; Iowa fiction awards finalist for Sympathetic People (published by Serving House Press, 2013).

    Adele Kenny � Author of 23 books (poetry & nonfiction); Carriage House Poetry Series founder/director; Fanwood�s Poet Laureate (appointed March 2012), Tiferet Poetry Editor; two NJ State Arts Council poetry fellowships; Writers Digest Poetry Award; Thomas Merton Poetry Award; first place Merit Book Award; 2012 International Book Award; former creative writing professor (College of New Rochelle); twice featured at the Geraldine R. Dodge Poetry Festival; has read in the US, England, Ireland, and France.